I
was the man of leisure – the urban explorer and the connoisseur of the streets. I was the “Jack of all Trades”; I was a young
Flâneur. The streets were my element – the energy of the crowds became my flesh,
and the scenes of the city became my sight.
I was eloquently simple; I was the quiet observer. I was the unit and the detached that played
two roles – “The Man of the Crowd” who would adapt to the alienations of a busy
conurbation, and “The Invisible Man” who would hide in plain sight.
How I came to escape my
perfect romanticism and replaced it with the abstract expressionism of an indifferent
angle is a fairytale mystery.
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